In Coralie Fargeat's new feminist terror movie The Substance, hazardous social beauty criteria are the actual creatures. They (female objectification, the fingertip of "the outdated," the expansion of a field built on physical body modification) supply a creature of a cycle that leads Demi Moore's fading TV individual character https://patrick-j-adamsreview.thecomputerwiki.com/5083874/the_substance