Miró's oft-quoted fascination in the assassination of painting is derived from the dislike of bourgeois artwork, which he considered was used as a method to advertise propaganda and cultural identity amid the wealthy. Particularly, Miró responded to Cubism in this way, which by the point of his quote had develop https://thejillist.com/story9110858/not-known-factual-statements-about-picasso-museum-barcelona